Hey,
Welcome to Kría's Portfolio
2025
Intimacy.Judged
[Installation]
Intimacy.Judged transforms a personal journal into a system of memory, judgment, and erasure. Through voice recordings, AI-generated video fragments, and pen-plotter printouts, an autobiographical archive is processed, filtered, and rendered incomplete. Private memory becomes computational data fragmented, evaluated, and sometimes erased.
2025
Becoming: is it me?
[Installation]
“Becoming: Is It Me?” is a multimedia work built from one hundred personal journal fragments that are reprocessed through artificial intelligence. The entries move through themes of family, migration, and mental health, contrasting intimate writing with the detached language of automated systems.
Thermal printing plays a central role: the printed text gradually fades over time, turning the archive itself into a site of erasure. The fragments loop, contradict, and repeat, reflecting the unstable nature of memory.
Through this uneasy collaboration with AI, the work questions where authorship resides once personal reflection is processed by a machine.
2024
The Vanishing Letters
[Installation]
The Vanishing Letters is a computational installation built around generative, disappearing text. AI-generated fragments appear briefly on screen before dissolving, forming a constantly shifting archive that resists stable reading.
Visitors can contribute short reflections through a “memory capsule” interface. These entries temporarily merge with the generative flow before disappearing again.
Through this cycle of appearance and erasure, the work reflects on how personal memory becomes unstable once language is continuously produced and dissolved by computational systems.
2024
Emotive Mirror
[Installation]
Emotive Mirror is an interactive installation in which facial expressions are analysed by machine learning and translated into generative portraits. The system attempts to classify the viewer’s emotional state, producing images that often misinterpret or distort the original expression.
Visitors are invited to write their own reflections in a physical journal, introducing a slower human response alongside the automated interpretation.
By placing human emotion next to algorithmic classification, the work reveals the gap between lived feeling and machine perception.